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Bad Times at the El Royale (2018)

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Circa 1969, several strangers, most with a secret to bury, meet by chance at Lake Tahoe's El Royale, a rundown hotel with a dark past. Over the course of one night, everyone will show their true colors - before everything goes to hell.

Director:

Drew Goddard

Writer:

Drew Goddard
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Popularity
210 ( 28)
1 win & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jeff Bridges ... Father Daniel Flynn / Dock O'Kelly
Cynthia Erivo ... Darlene Sweet
Dakota Johnson ... Emily Summerspring
Jon Hamm ... Laramie Seymour Sullivan / Dwight Broadbeck
Chris Hemsworth ... Billy Lee
Cailee Spaeny ... Rose Summerspring
Lewis Pullman ... Miles Miller
Nick Offerman ... Felix O'Kelly
Xavier Dolan ... Buddy Sunday
Shea Whigham ... Dr. Woodbury Laurence
Mark O'Brien ... Larsen Rogers
Charles Halford ... Sammy Wilds
Jim O'Heir ... Milton Wyrick
Gerry Nairn Gerry Nairn ... Reporter Paul Kraemer
Alvina August ... Vesta Shears
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Storyline

Six strangers, (Jeff Bridges, Cynthia Erivo, Dakota Johnson, Jon Hamm, Cailee Spaeny and Lewis Pullman) each with their own secrets, meet at the El Royale hotel of Lake Tahoe. Taking place over one night, alliances are made and secrets are revealed.

Plot Summary | Plot Synopsis

Taglines:

All Roads Lead Here


Motion Picture Rating (MPAA)

Rated R for strong violence, language, some drug content and brief nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official Site

Country:

USA

Language:

English

Release Date:

12 October 2018 (USA) See more »

Also Known As:

Bad Times at the El Royale See more »

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Box Office

Budget:

$32,000,000 (estimated)

Opening Weekend USA:

$7,132,647, 14 October 2018, Wide Release

Gross USA:

$17,839,115, 6 December 2018
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Atmos

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

In the movie its called El Royale Hotel. In actuality it's both a "motel" and a hotel. Hotel rooms are accessible through an internal hallway. Motel rooms are accessible from the outside. See more »

Goofs

Towards the end of the film, several different fires erupt in the lobby of the El Royale due to a scuffle between Father Daniel Flynn and his captor Billy Lee. Yet, Father Daniel and Darlene Sweet spend an inordinate amount of time inside the burning lobby rather than fleeing. The multiple fires in this lobby scene are extremely slow-burning and amazingly well-contained. Father Daniel and Darlene most likely would have had difficulty breathing due to smoke inhalation after being exposed to the indoor inferno for fewer than 5 minutes, yet they choose to remain in the lobby for 10 to 15 minutes. See more »

Quotes

Billy Lee: Howdy.
See more »

Crazy Credits

There are almost no opening credits. Only the film's title is shown after the first scene. See more »


Soundtracks

What Becomes of the Brokenhearted
Written by James Dean, Paul Riser and William Weatherspoon
Performed by Cynthia Erivo
See more »

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User Reviews

Overlong and Pretentious
13 October 2018 | by frebo3See all my reviews

An overlong, pretentious homage to Agatha Christie (Ten Little Indians) Steven King (The Shining) and the TV film Helter Skelter, "Bad Times at the El Royal" is a generally tedious, disappointing, and ultimately gory portrayal of "unlikable people acting badly," my personal worst form of cinema. Individual performances by Jeff Bridges, Cynthia Erivo, Dakota Johnson, and Jon Hammx are brilliant, and some production values are excellent, but many of the quick cuts between past, present, future, and contemporaneous events are ill-conceived and anachronisms abound. Why are 1960s songs on a Juke box played on 78rpm records? Why is an impoverished singer driving a mint-condition classic 1951 Studebaker in the 1970s? Evidently filmed in British Columbia, "Bad Times" so far detached from objective reality as to be allegorical, if not incredible - requiring far too much suspension of disbelief and tolerance of gore to be enjoyable.


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