Set in contemporary Chicago, amid a time of turmoil, four women with nothing in common except a debt left behind by their dead husbands' criminal activities, take fate into their own hands, and conspire to forge a future on their own terms.
Lisbeth is recovering in a hospital and awaiting trial for three murders when she is released. Mikael must prove her innocence, but Lisbeth must be willing to share the details of her sordid experiences with the court.
One of the most celebrated war correspondents of our time, Marie Colvin is an utterly fearless and rebellious spirit, driven to the frontline of conflicts across the globe to give voice to the voiceless.
Circa 1969, several strangers, most with a secret to bury, meet by chance at Lake Tahoe's El Royale, a rundown hotel with a dark past. Over the course of one night, everyone will show their true colors - before everything goes to hell.
In Stockholm, Sweden, vigilante hacker Lisbeth Salander is hired by computer programmer Frans Balder to retrieve Firefall, a program capable of accessing the world's nuclear codes that he developed for the National Security Agency, as Balder believes it is too dangerous to exist. Lisbeth successfully retrieves Firefall from the NSA's servers, attracting the attention of agent Edwin Needham, but is unable to unlock it, and the program is later stolen from her by mercenaries led by Jan Holtser, who also attempt to kill Lisbeth. When she doesn't attend their scheduled rendezvous, Balder mistakenly believes Lisbeth decided to keep Firefall for herself and contacts Gabrielle Grane, the deputy director of the Swedish Security Service (Säpo), who moves Balder and his young son August to a safe-house. Meanwhile, Needham tracks the unauthorized login to Stockholm and arrives to seek Lisbeth and Firefall..
Claire Foy is English, as a result she had to work with a linguistics coach to be able to speak in a Swedish accent. She is one of the few cast members in the film not to be Swedish in contrast to the rest of her mostly Swedish costars. See more »
The tyres on the Ducati change from road tyres to off road tyres (and stay that way) after the leap off the wharf. See more »
Are you not Lisbeth Salander, the righter of wrongs? The Girl with the Dragon Tattoo? The girl who hurts men who hurt women? All those lucky ladies. Do you remember that morning? For sixteen years I've been watching you. Why did you help everyone but me, sister?
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In Singapore; the theatrical release was edited in order to obtain an NC16 classification (after the uncut version was passed M18); the distributor chose to remove brief sexual images in three scenes (sight of two characters having sex on a mobile phone screen, a shot of full female nudity and some discreet sexual images in a nightclub). The film remains uncut in all other countries worldwide. See more »
I'm gonna sound biased, but the truth is that I am. David Fincher come back! I miss his take of "Millennium", which was brilliantly engaging. But we gotta accept the fact that the whole trilogy couldn't be adapted because of the first film not being financially successful enough. The fourth book was also the first in the series to not be written by Stieg Larsson, but instead by David Lagercrantz. Must have been a daunting task following in the footsteps of the world-wide bestsellers. I remember that my dad recognised him in a store once. So he went up to Lagercrantz, said hello and then left him in peace. My dad said he didn't wanna say anything else because he was being criticised and under pressure for taking over the series. That's when I first heard about it - and yes, I was sceptic as well. The trailers had me worried. The direction was gonna be faster, more action oriented and appeal to an even wider audience. I get that, sure. But the brilliance of "Dragon Tattoo" is its investigate dark mystery. Look how the story is told and how the audience is always interested in finding the answers to the questions. Was "Spider's Web" any good? Well... Better than I expected.
Fede Alvarez is not a bad director choice. I underestimated him. He knows how to get the stylish imagery. There's a good eye here since many creative ideas are being used for the shots. It gets points for that. He uses some shaky cam in the intense scenes. Thankfully there's a good balance of steady and hand-held camera use. I've seen Claire Foy getting much work recently. My bets where that she would portray Lisbeth Salander being hysterical or explosive. I was wrong because she lands a solid performance. Subtle when she needs to be, and even showing the emotion that's underneath Lisbeth's tough exterior. Surprisingly she's even funny. Sverrir Gudnason shows a warm interpretation of Mikael Blomkvist. He comes across as a friendly person who's presence lightens the mood. Not a bad take either. I would in all honesty have been ecstatic if Rooney Mara and Daniel Craig had returned. Then again Fede Alvarez felt he wouldn't had done 50% of his job if he took Fincher's cast. I don't really agree, but I understand what he means. The first act of the film was pretty alright. The look, the pacing and the introduction of the story worked. You can tell by the beginning that the style direction will be something else: An action-thriller. Salander has become a vigilante. That's something I feel kind of "Eh.." about. Clearly not the original intention. If you look at it as a James Bond type film, you'll enjoy it quite a lot. Don't go in expecting a moody crime mystery. That's not what you'll get. The story is not as isolated but more expanded involving Nato or Swedish Special Forces and people running after computer programs. Seemed more far-fetched than what it needed to be.
The experience of watching "Spider's Web" was enjoyable. You can have fun with the action and your suspenseful scenes. As a typical action movie, it does the job. The villain in the piece stood out to me. Sylvia Hoeks (who we saw in "Blade Runner 2049") delivers an eerie enemy for Salander. I get the feeling she's not gonna get enough credit for this role since her entire character doesn't fit the "supposed" realistic tone. It's a person straight out of a James Bond movie. And there I go again with that comparison, but it's actually got more in common with that now that I think of it. The villain is acted well - The issue is just that she belongs in another film entirely. I went in afraid of what the film would turn out to be, and it wasn't bad. Although it doesn't capture the greatness of "Dragon Tattoo". Stick to the originals for real grittiness. But if you want a fast thrill-ride, then this is decent. Biggest take away: Nice to see Stockholm depicted this nicely in american production again.
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