A couple travels to Sweden to visit a rural hometown's fabled mid-summer festival. What begins as an idyllic retreat quickly devolves into an increasingly violent and bizarre competition at the hands of a pagan cult.
Cynthia and Mary show up to collect Cynthia's inheritance from her deceased grandfather, but the only item she receives is an antique sword that was believed by her grandfather to be proof that the South won the Civil War.
A married couple is forced to reckon with their idealized image of their son, adopted from war-torn Eritrea, after an alarming discovery by a devoted high school teacher threatens his status as an all-star student.
Cameo: The lead singer of the San Francisco punk band Dead Kennedys, Jello Biafra, has a cameo in this film. See more »
We are told repeatedly of the house's location at Golden Gate and Fillmore. When we first see the house, however, the camera pans away and we can see a street sign--it is somewhat blurred, but it clearly says "20th." Neither 20th St. nor 20th Ave. are anywhere near that location. Articles about the making of the film note that the house that provided exterior location shots is actually on So. Van Ness between 20th and 21st Streets. See more »
The trailer for this movie (which is in itself a wonder) set up some expectations for me, and they were met: it's a melancholy film about a black man feeling pushed away from the city he loves. But the movie is so much something more that I'm still reflecting on it three days after viewing. The film is gentle and expansive, anything but divisive or self-pitying: a celebration of the unique, oddball, all-embracing quirkiness that San Francisco inspires and cultivates. It's just as much about a friendship between black men that endures because of San Francisco's peculiarly protective cover. I came away moved by the friendship story - the kind of friendship that the film itself suggests changes lives and can survive gentrification.
The trailer promises visual beauty and the film delivers, coming as close as a movie can to diagramming the cool, foggy spell San Francisco can cast - but the images on the screen are there to both break a heart and to inspire hope.
And man, are these images beautiful! This movie is a natural addition to the ranks of "Vertigo," "Bullitt," "The Invasion of the Body Snatchers" and "Tales of the City" - movies that lean on SF as more than a backdrop, but indeed as a co-star. It all works to underscore why the hero (Jimmie Fails, playing himself) is so compulsively distracted by, even focused on, his unsettled business with his hometown. Set to a dreamy score by Emile Mosseri and Michael Marshall's cover of "If You're Going to San Francisco," there are moments in the movie that well up and stir; that are flat out unforgettable.
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