Clark Kent is an alien who as a child was evacuated from his dying world and came to Earth, living as a normal human. But when survivors of his alien home invade Earth, he must reveal himself to the world.
Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, cat burglar Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world.
When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
As Steve Rogers struggles to embrace his role in the modern world, he teams up with a fellow Avenger and S.H.I.E.L.D agent, Black Widow, to battle a new threat from history: an assassin known as the Winter Soldier.
Samuel L. Jackson,
The general public is concerned over having Superman on their planet and letting the "Dark Knight" - Batman - pursue the streets of Gotham. While this is happening, a power-phobic Batman tries to attack Superman. Meanwhile, Superman tries to settle on a decision, and Lex Luthor, the criminal mastermind and millionaire, tries to use his own advantages to fight the "Man of Steel".Written by
In addition to being given a limited IMAX 70mm run (portions of the film were shot in the format), the film received a limited run in regular 70mm. See more »
Before Lois and Jimmy are about to get to the secret location in the desert, a guy puts a bag on Lois's head and she has a hood on, but when the bag is removed the hood is off. See more »
There was a time above... a time before... there were perfect things... diamond absolutes. But things fall... things on earth. And what falls... is fallen. In the dream, it took me to the light. A beautiful lie.
See more »
The opening credits are set within a flashback to young Bruce Wayne's childhood: his parents' death, their funeral and him encountering a cave of bats. See more »
The theatrical release (rated "PG-13") is 151 minutes in length. The "ultimate edition" director's cut (rated "R" for scenes of violence) is 183 minutes in length. See more »
There is an utter greatness that thrusts BATMAN v SUPERMAN: Dawn of Justice into immediate attention. The brawl from which it explodes and paves way for relentless epic action sequences, conjures breathtaking forms, never less monumental than what Snyder seemingly tries to make them appear on the big screen. It's a visual spectacle, only much grittier and grimmer than any of its Marvel counterparts has ever been, even darker than the already dimly- toned 'Man of Steel' in 2013. In such measure, it is no question that this pre-Justice League movie has created for itself a towering achievement. But if that's how you gauge cinematic greatness, alone, then let's call the recent 'Fantastic Four' resurrection, a colossal epic (note the exaggeration). True enough, the absurd amount of explosive action takes the film into some time-stopping, jaw-dropping prodigiousness, but it is ultimately the absence of a decent plot that pulls itself to the ground. And while the overstuffed narrative is what tends its already complex plot line into further convolusion, it is not entirely what it is adequate of, that ultimately gives 'Dawn of Justice' unnecessary weight, but the horrendous lack of coherence and proper structure of its narrative.
Picking up from where 'Man of Steel' ended, the film paints the kryptonian superhero, a figure of destruction. Half of his city worships him, while the other regards him as its very destroyer, capable enough to rend the earth apart. Much of this film is spent in introductions, of hints about a looming mega-franchise that, let me guess, is set to counter what is Avengers to Marvel. That could have been alright if only the film knows where to place them. A recurring streak of ominous dreams introduces Bruce Wayne's (Ben Affleck) visions, while also becoming Clark Kent's (Henry Cavill) ultimate nemesis. Gal Gadot's entry as Diana Prince and Wonder Woman is nothing more spectacular than how the trailers made her appear, in fact, her underwritten character may have made her role shrunk to the miniature levels of her fellow Justice League members, whose cameo introductions you might have missed if you happened to go to the restroom for at least two minutes. Jesse Eisenberg's Lex Luthor is epic in both good and bad way, but more of the latter I guess. Amy Adams' Lois Lane— forget her, she's just there to prove she really loves Clark.
The movie bleeds from these flaws, the same way the Caped Crusader becomes kryptonite to Superman, and the Man of Steel becomes Batman's very Bane. The very same struggle inflicts the audience who thirst for some sensible story lines and not just shreds of unresolved, horribly- knitted sidestories. We might as well be grateful we're not Kryptonians.
91 of 180 people found this review helpful.
Was this review helpful to you?
| Report this