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Nightcrawler (2014)

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When Louis Bloom, a con man desperate for work, muscles into the world of L.A. crime journalism, he blurs the line between observer and participant to become the star of his own story.

Director:

Dan Gilroy

Writer:

Dan Gilroy
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928 ( 30)
Nominated for 1 Oscar. Another 43 wins & 120 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jake Gyllenhaal ... Louis Bloom
Michael Papajohn ... Security Guard
Marco Rodríguez ... Scrapyard Owner (as Marco Rodriguez)
Bill Paxton ... Joe Loder
James Huang ... Marcus Mayhem Video
Kent Shocknek ... Kent Shocknek
Pat Harvey Pat Harvey ... Pat Harvey
Sharon Tay ... Sharon Tay
Rick Garcia Rick Garcia ... Rick Garcia
Leah Fredkin ... Female Anchor
Bill Seward ... Bill Seward
Rick Chambers Rick Chambers ... KWLA Anchor Ben Waterman
Holly Hannula Holly Hannula ... KWLA Anchor Lisa Mays
Jonny Coyne ... Pawn Shop Owner
Nick Chacon Nick Chacon ... Cop #1
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Storyline

NIGHTCRAWLER is a thriller set in the nocturnal underbelly of contemporary Los Angeles. Jake Gyllenhaal stars as Lou Bloom, a driven young man desperate for work who discovers the high-speed world of L.A. crime journalism. Finding a group of freelance camera crews who film crashes, fires, murder and other mayhem, Lou muscles into the cut-throat, dangerous realm of nightcrawling - where each police siren wail equals a possible windfall and victims are converted into dollars and cents. Aided by Rene Russo as Nina, a veteran of the blood-sport that is local TV news, Lou blurs the line between observer and participant to become the star of his own story. Written by Open Road Films

Plot Summary | Plot Synopsis

Taglines:

The City Shines Brightest at Night See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for violence including graphic images, and for language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

USA

Language:

English

Release Date:

31 October 2014 (USA) See more »

Also Known As:

Nightcrawler See more »

Filming Locations:

Los Angeles, California, USA See more »

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Box Office

Budget:

$8,500,000 (estimated)

Opening Weekend USA:

$10,900,000, 1 November 2014, Wide Release

Gross USA:

$32,381,218

Cumulative Worldwide Gross:

$50,334,418
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | Datasat

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The movie Jake Gyllenhaal is watching on his TV, when the knight's helmet is lobbed off, is The Court Jester (1955) featuring Danny Kaye. See more »

Goofs

When Lou gets yelled at by Nina at the TV station, the window on the right side of the screen, behind Lou, reveals two boom Mic's and several crew members with a camera. See more »

Quotes

[Last Lines]
Nina Romina: I think Lou is inspiring all of us to reach a little higher.
See more »

Crazy Credits

Though hardly perceivable, the moon continues to rise as credits roll. See more »

Connections

References Braveheart (1995) See more »

Soundtracks

METRO FANFARE
Written by Bella Russell and Nigel Beaham-Powell (as Nigel Peter Beaham-Powell)
Courtesy of APM Music
See more »

Frequently Asked Questions

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User Reviews

 
Gyllenhaal impresses as the least likable character you've seen in a long time.
31 October 2014 | by markgormanSee all my reviews

You leave the movie theatre with a slightly sick feeling of guilt after watching Nightcrawler. Guilt that you actually enjoyed this rather original movie-making set in an ethical and moral vacuum. In that sense the movie is entirely ironic. You shouldn't be enjoying this stuff.

It's an exposition of entirely greed-induced (financial and ego driven) naked ambition that rivals Wolf of Wall Street for it's blithe abandon of normal ethical practice.

Gyllenhaal, as Louis Bloom, almost cadaverous after his dramatic weight loss for the part, is as unsympathetic a movie character as you've seen in a very long time. His back story, which is precisely zilch, renders him a character in search of a meaning. A loner, a drifter, a thief, unemployed (unemployable is the truth) and entirely without remorse - emotion for that matter - stumbles upon a freelance career as an, at first hapless then really rather good, ambulance chasing 'scene of the crime' news cameraman.

Starting with motorway crashes and graduating to suburban crime scenes (where the threat of middle America being intruded upon by 'Hispanics' and other Liberal American ethnic minorities) he captures more and more challenging newsreel material that feeds the sensation-lust of an LA loser News Station's News Editor, Nina Romina, played deliciously by Rene Russo.

Romina's sponsorship of, and belief in, the expert blagging of Bloom feeds his desire for greater success and indeed for Romina herself. In a toe curling 'date' at a camp Mexican restaurant Bloom lays it on the line with Romina in a scene of toe-curling embarrassment. It's as if Gyllenhaal is playing for laughs, but he's deadly serious.

Throughout, Gyllenhaal commands the screen. The Nightime lighting constantly picking out his skeletal, eye bulging look that makes him look like the devil incarnate. This truly is an evil character and Gyllenhaal's trademark smirk only adds to the perverse sense of evil pleasure he is gaining as his success mushrooms.

A recurring theme in the movie is his watering of a pot plant in his flat. It's as if it's the only living thing he cares two bucks about. Certainly his hapless sidekick/assistant Rick, played by Riz Ahmed, has next to no chance in this little hothouse world of emotion-free ambition.

Gyllenhaal's faux management style 'development' of Rick is at times darkly amusing but usually just plain vacuous and ironic given that he draws from real world self help and management lingo that's bad enough in the corporate world, but downright bizarre in this micro universe.

The car chases are gripping edge of seat affairs, the plot, although it has holes in the final reel (quite big ones I felt) is nevertheless highly original and unfolds at a steady pace.

The conclusion was, to my mind at least, a little disappointing, but aside from this a good, dark, star vehicle for Jake and possibly a step towards another best actor nomination.


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