6.5/10
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152 user 243 critic

The Double (2013)

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1:22 | Trailer
A clerk in a government agency finds his unenviable life takes a turn for the horrific with the arrival of a new co-worker who is both his exact physical double and his opposite - confident, charismatic and seductive with women.

Director:

Richard Ayoade
1 win & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jesse Eisenberg ... Simon / James
Mia Wasikowska ... Hannah
Wallace Shawn ... Mr Papadopoulos
Yasmin Paige ... Melanie
Noah Taylor ... Harris
James Fox ... The Colonel
Cathy Moriarty ... Kiki
Phyllis Somerville ... Simon's Mother
Gabrielle Downey Gabrielle Downey ... Strange Woman
Jon Korkes ... Detective
Craig Roberts ... Young Detective
Kobna Holdbrook-Smith ... Guard / Doctor
Susan Blommaert ... Liz
Bruce Byron Bruce Byron ... Skinhead
J. Mascis ... Janitor (as J Mascis)
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Storyline

Simon is a timid man, scratching out an isolated existence in an indifferent world. He is overlooked at work, scorned by his mother, and ignored by the woman of his dreams. He feels powerless to change any of these things. The arrival of a new co-worker, James, serves to upset the balance. James is both Simons exact physical double and his opposite - confident, charismatic and good with women. To Simons horror, James slowly starts taking over his life. Written by StudioCanal

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

UK

Language:

English

Release Date:

26 June 2014 (Netherlands) See more »

Also Known As:

Dvojnik See more »

Filming Locations:

London, England, UK See more »

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Box Office

Opening Weekend USA:

$14,646, 11 May 2014

Gross USA:

$200,406

Cumulative Worldwide Gross:

$1,662,515
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Many of director Richard Ayoade's The I.T. Crowd's co-stars and the principal cast of his first feature as director, Submarine, feature in this film. Chris O'Dowd and Christopher Morris starred alongside Ayoade in the Channel 4 sitcom, while Craig Roberts, Yasmin Paige, Sally Hawkins, Paddy Considine, and Noah Taylor were the stars of the indie film set in South Wales. See more »

Quotes

Simon: It's terrible to be alone too much.
See more »


Soundtracks

Blue Chateau
Written by Jun Hashimoto, Tadao Inoue
Published by Watanabe Music Publishing Co. Ltd (c) 1967
Administered by Fairwood Music (UK) Ltd for the UK & Eire
Performed by The Blue Comets
Licensed by Nippon Columbia Co. Ltd
See more »

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User Reviews

 
A jumble of movies we've seen before
31 December 2016 | by GiantjottSee all my reviews

Before you get all pissy and shout at your computer screen that this movie is based on a Dostoevsky novella from the 1800s, let me be clear: I am not inferring that the story somehow ripped off other contemporary sources. I'm just saying that I felt distracted while viewing The Double by its many similarities to films I've seen and that have seeped into popular culture. Specifically, I kept thinking of Fight Club, The Tenant, Youth In Revolt, Enemy, Rear Window, Brazil, Eraserhead, Dead Ringers, and The Trial. Which leads me to the question: Do we need this movie? Even if it is a mostly faithful adaptation to a hitherto unadapted story by a world famous 19th century novelist, which recalls excellent films from the history of cinema, and which was beautifully, skilfully crafted and acted...do we really need another surreal-noir about the anonymity of corporate jobs? Or another movie with the doppelganger/alter ego paradigm, especially one which does nothing to reinvent or subvert the genre? It should be noted that I enjoyed watching this film for its set design and b/c of Wasikowska's enchanting ways. But not for its story. Which isn't to say I think the source material is weak, but that the elements which had been so intriguing when the novella was first published have now become tropes of this type of film. In short, The Double left me thinking of the films it resembled, already forgetting the doppelganger (could this have been the point?).


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