Eight years after the Joker's reign of anarchy, Batman, with the help of the enigmatic Catwoman, is forced from his exile to save Gotham City, now on the edge of total annihilation, from the brutal guerrilla terrorist Bane.
When the menace known as the Joker emerges from his mysterious past, he wreaks havoc and chaos on the people of Gotham. The Dark Knight must accept one of the greatest psychological and physical tests of his ability to fight injustice.
An apocalyptic story set in the furthest reaches of our planet, in a stark desert landscape where humanity is broken, and almost everyone is crazed fighting for the necessities of life. Within this world exist two rebels on the run who just might be able to restore order. There's Max, a man of action and a man of few words, who seeks peace of mind following the loss of his wife and child in the aftermath of the chaos. And Furiosa, a woman of action and a woman who believes her path to survival may be achieved if she can make it across the desert back to her childhood homeland.Written by
The film was the subject of extreme criticism from various conservative and anti-feminist commentators who were angry that Max himself was not the primary protagonist and that the central theme revolved more around Furiosa's story of finding her tribe and leading Joe's brides to freedom. However, critics still sided with Miller and the cast saying that Furiosa's story lent much more depth to the film. See more »
Before the war rig enters the canyon the fuel tank begins dragging because of a disconnected line. The line is disconnected in the wide shot of the rig as Max runs across the tanker. In two subsequent close-up shots the line is connected. When Max gets to the line it is then shown to be disconnected. See more »
My name is Max. My world is fire and blood. Once, I was a cop. A road warrior searching for a righteous cause. As the world fell, each of us in our own way was broken. It was hard to know who was more crazy... me... or everyone else.
See more »
The Warner Bros. and Village Roadshow Pictures logos are rendered on a rusted metal background with the sound of an engine turning over. See more »
George Miller prepared a black-and-white version named 'Mad Max: Fury Road. Black & Chrome' edition. It received a theatrical release in December 6th 2016 in some countries. See more »
A blockbuster that dark, gritty, brutal and bloody? Right here.
I was left speechless when this finished. It can be hard to describe indeed.... but I'll go for it... Sheer madness that isn't sullied by bad acting or laughable lines. A blockbuster that is gritty and doesn't have a sense of humour that could be equated to a fluffy kitten. No 'lets all hug' sentimental BS. This is seriously a movie I thought I'd never see: a CGI-filled blockbuster that I flat out loved. The stunts are so much fun, the FX so great, it is the first movie I have seen where I have thoroughly enjoyed all this type of stuff - probably because the cinematography for once doesn't suffer cos of it. It is all incredibly shot. The action is so brutal and appropriately high-octane. I thought to myself more than once, 'I think I am loving this more than Terminator 2' but other than that, there wasn't time to think. It kicked off fast and barely stopped, and the lulls were amplified by the insanity preceding them. Plus it is a dark film, which made it even better. I many people do an Aussie accent even close to well, was Hardy actually trying for that? Either way, he didn't talk much so it didn't really matter. This is more Theron's movie than Hardy's, he doesn't say much and does next to nothing for the first third or so. Theron's Furiosa is more of the hero is the story, if there were to be a hero in such a grisly and dark world. I don't even like this type of movie but the execution is everything. I'm gonna go see this again, soon. 4.5/5
495 of 938 people found this review helpful.
Was this review helpful to you?
| Report this