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Ant-Man (2015)

PG-13 | | Action, Adventure, Comedy | 17 July 2015 (USA)
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Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, cat burglar Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world.

Director:

Peyton Reed

Writers:

Edgar Wright (screenplay by), Joe Cornish (screenplay by) | 7 more credits »
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668 ( 69)
Nominated for 1 BAFTA Film Award. Another 3 wins & 32 nominations. See more awards »

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Cast

Cast overview, first billed only:
Paul Rudd ... Scott Lang / Ant-Man
Michael Douglas ... Dr. Hank Pym
Evangeline Lilly ... Hope van Dyne
Corey Stoll ... Darren Cross / Yellowjacket
Bobby Cannavale ... Paxton
Anthony Mackie ... Sam Wilson / Falcon
Judy Greer ... Maggie Lang
Abby Ryder Fortson ... Cassie Lang
Michael Peña ... Luis
David Dastmalchian ... Kurt
T.I. ... Dave (as Tip 'T.I.' Harris)
Wood Harris ... Gale
Hayley Atwell ... Peggy Carter
John Slattery ... Howard Stark
Martin Donovan ... Mitchell Carson
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Storyline

Armed with the astonishing ability to shrink in scale but increase in strength, con-man Scott Lang must embrace his inner-hero and help his mentor, Dr. Hank Pym, protect the secret behind his spectacular Ant-Man suit from a new generation of towering threats. Against seemingly insurmountable obstacles, Pym and Lang must plan and pull off a heist that will save the world. Written by @PtotheSmizzo

Plot Summary | Plot Synopsis

Taglines:

Heroes don't get any bigger. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for sci-fi action violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

17 July 2015 (USA) See more »

Also Known As:

Ant-Man See more »

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Box Office

Budget:

$130,000,000 (estimated)

Opening Weekend USA:

$57,225,526, 19 July 2015

Gross USA:

$180,202,163

Cumulative Worldwide Gross:

$519,445,163
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Paul Rudd, Michael Douglas, and Bobby Cavanelle were all born in New Jersey. See more »

Goofs

The method of shrinking is described as "reducing the space between atoms". However, the suit's limiter is designed to prevent "sub-atomic shrinking", which wouldn't be possible by merely reducing the distance between atoms. It is possible though that the regulator is actually what causes the space between the atoms to shrink without shrinking the atoms as well. See more »

Quotes

[first lines]
Hank Pym: Stark!
Howard Stark: He doesn't seem happy. Hello, Hank. You're supposed to be in Moscow.
Hank Pym: I took a detour... Through your defense lab.
[slams a vial of Pym particles on table]
Peggy Carter: Tell me that isn't what I think it is.
Hank Pym: That depends if you think it's a poor attempt to replicate my work. Even for this group, that takes nerve.
Mitchell Carson: You were instructed to go to Russia. May I remind you, Dr. Pym, that you're a soldier...
Hank Pym: I'm a scientist.
Howard Stark: Then act like one. The Pym Particle is the most revolutionary science ...
[...]
See more »

Crazy Credits

"Nitrospray is a product of Premier Medical Products and is not intended to be used as shown herein." (i.e., to crack safes) See more »


Soundtracks

La Cucaracha
Written by Traditional
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Frequently Asked Questions

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User Reviews

 
Bursting with Personality
16 July 2015 | by billygoat1071See all my reviews

Ant-Man has been through a very long development, it was started with Edgar Wright committing to write and direct the film, but years went by and Marvel finally has a studio of its own, manipulations do compromise Wright's vision which lead him leaving the project. In spite of that issue, the film spares much of his screenplay as it still has his trademarks all over the place. While it's delightful to notice those sequences being left intact, there is still a dejected feeling of what it could have been if he actually handled it entirely. For now, most of the style is basic Marvel. As a movie itself, it's quite refreshing to see a superhero film that doesn't contain much heavy handed explosions compared to the last few films they gave us. And it's a good reminder that joy can still be found in this genre even at its smaller scale, thanks to its engaging cast and downright appealing personality.

The movie doesn't involve stopping some mass destruction or a general build up for future installments (the reference still exists, but isn't exactly the priority.) People may brag about this as going back to the basic mold of origin stories where you see outcasts living in a city having unexpected fate of becoming a superhero. The difference however is the premise is a lot sillier that is taken with vast self-awareness through that concept. The entirety is basically a mix between family drama and smart comedy. The comedic side is where it thoroughly shines, the film finding energy through its visuals and each actor's charisma. The drama on the other hand is basically to establish the character's pathos through their backstories. It's not quite subtle, but fits enough to breathe after a set of sillier spectacles.

The major plot is basically just a heist, except the main character has the ability to alter his own scale while spectators and their enemies are constantly being flummoxed about what exactly is happening. It's simple, but there is so much going on and yet it is made easily exciting by its own personality and crazier imaginations, you can identify that most of the creativity came from Wright's idea. How the movie recreates his style from the script is fine and it's admirable to retain the same quirk and energy from the vision at some points. At the other scenes, it's typical Marvel flare, and as said, it looks cool, but it's more remarkable at the less conventional turns.

Paul Rudd brings real charisma and some depth to Scott Lang, keeping him from being a generic anti-hero. Michael Douglas establishes actual depth within Hank Pym in a lot of moments. Corey Stoll embraces his almost unbelievably inhumane role, which strangely makes it an effectively menacing villain. Evangeline Lilly appears to be more than a love interest and that is alright. Michael Peña steals all of his scenes, which a role that could have been just another comic-relief, he makes all of his character's greatest comedic moments remarkably delightful.

It's still quite inevitable to keep bringing up the supposed-to-be helmer of Ant-Man, because his fingerprints are really there, while it's actually nice to see it hinting every once in a while, it also feels somewhat exasperating for what daring opportunity it could have been. We'll never know the answer. Still, Ant-Man brings a sheer amount of fun. It's filled with comicbook enthusiasm and memorable laughs that appropriately sticks through its actually preposterous property. The cast helps bringing all of it to life, from levity to gravity. The action is executed with affecting weirdness. Ant-Man is best when it's weirder, because that is where it speaks its own flavor.


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