4.8/10
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18 user 18 critic

The Perfect Sleep (2009)

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2:05 | Trailer

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Against the backdrop of a noirish dreamscape, a tortured man returns to the city he swore he would never return to, in order to save the woman he has always loved yet can never have.

Director:

Jeremy Alter

Writer:

Anton Pardoe

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Cast

Cast overview, first billed only:
Anton Pardoe Anton Pardoe ... The Narrator
Anthony Dilio ... Walter (as Anthony Dee)
David Beck David Beck ... Walter's Goon
Ken Clark Ken Clark ... Walter's Goon
Ryan Fitzgerald Ryan Fitzgerald ... Walter's Goon
James Hart James Hart ... Walter's Goon (as Jimmy Hart)
Roselyn Sanchez ... Porphyria
Denyse Tontz ... Young Porphyria
Scout Alter Scout Alter ... Young Narrator
Frank Bruynbroek ... Young Nikolai
Scarlett Chorvat ... Tatiana
Daniel Goddard ... Sergei
Dmitri S. Boudrine ... Kolya (as Dimitri Boudrine)
Stefan Pardoe Stefan Pardoe ... Ganya
Said Bakouch Said Bakouch ... The Maharajah
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Storyline

Against the backdrop of a noirish dreamscape, a tortured man returns to the city he swore he would never return to, in order to save the woman he has always loved yet can never have.

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated R for violence, some language and brief drug use | See all certifications »
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Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

13 March 2009 (USA) See more »

Also Known As:

Прекрасный сон See more »

Filming Locations:

Los Angeles, California, USA See more »

Company Credits

Production Co:

Unified Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

(European Film Market)

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Goofs

At about ten minutes and eighteen seconds into the film, The Narrator is awoken by a car horn outside the "warehouse". He gets up, on his knees, using the cane for support. Then the camera switches to a shot of Walter laying on the ground, his cane visible and also lying on the ground. In the next shot, Walter's cane is in The Narrator's hand again. See more »

Quotes

The Narrator: The French dig this kind of visual... and I dig the French.
See more »

Connections

Featured in Do Not Go See the Perfect Sleep (2009) See more »

Soundtracks

Tonight We Ride
Written, Performed and Produced by David Vanian
Backing Vocals by Anton Pardoe
Guitar by Eddie Munoz and Mike Wilcox
Bass Guitar by Chris Gibbs
Keyboard by Dave Sobel
Drums by Rosie Curtale
See more »

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User Reviews

 
Fair is Fair
15 June 2009 | by djkasparSee all my reviews

I've just finished watching this... it's in my VLC player for two days. The main reason why it took me so long to go through it is that I find things that I love about it, and on the other hand I find things that I can't believe are so very poor and almost make vomit... and so this dichotomy makes the movie a hard piece to swallow.

I'll try to name a few of the negative aspects first:

1. The plot line seems confused and overly complex, and the poor graphic details of the movie make it pale and uninteresting to look at (which, if it where not the case, could help create interest on the viewer's part to keep pace with the strange and intricate family drama)

2. There are hardly any other actors apart from the characters; this means there are little to no extras, no population, no sense of society... all it looks like is a void and empty sequence of dark scenarios with little to no discerning features whatsoever... Making the whole thing a little too often look like a sequence of amateur theater shoots. In other words, the director and producers did not bother to put any effort into making the environment of the film credible. It isn't at any time delivering any kind of veracity to the possibility of the story ever finding an imaginable realm where it could take place.

3. Things don't seem too thought out. The main character is a prince, or some kind of bastard descendant of a ruler... but he does not behave like one. You can hardly piece together how he lived his life, why he is hunted down (right at the beginning), or why is his brother convinced that he is somehow responsible for his father's death. I mean... it doesn't feel like a noble family's intuitive dynamic at all, certainly not like the type on a Dostoievsky novel.

4. It looks like it's a student project, because the acting is so over the top, on a few of the parts... Other, elder, actors are brilliant. The difference is astounding. There seems to be no effort to push the younger actors into delivering a real credible performance. It feels very strange.

OK, on to the good parts:

1. The dialogs. They really present a vocabulary experience that is close to film noir classics, and and times is so poetic and powerful that it actually makes you think of Russian novels. It seems to be very well written throughout, but poorly executed. I almost need to close my eyes to the sad spectacle of the movie, to listen to the character's amazing discourse on some parts. The main character is poorly crafted, I thought... It lacked coherence in it's actions, some real sense of integrity, I feel the way it is both shown and interpreted is very silly, exaggerated and completely nonsensical.

2. Some of the acting is amazing, Tony Amendola especially! I rarely see such talent in an actor... he was the only one (maybe alongside Patrick Bachau) that picked up the text and brought it to a credible output... and he stands out brilliantly.

3. The fighting. Well, I thought fights here would be ridiculous... in the context of the dramatic feud that takes place through the plot. But in the end, they are quite contrary, almost the best this film has to show. They seem well rehearsed, well executed and choreographed, and look pretty cool. Too bad the scenarios in which they take place are so lame, and incoherent... Where it not for that, the fight scenes would be some of the most consistent I've seen.

4. The sense of sympathy. The core idea of this film seems to be so appealing, I can almost imagine this script beating the crap out of a Frank Miller adaptation of Sin City. I can compare this title to "The Spirit"... "The Spirit" has a million dollar budget, looks brilliant, but it's absolutely horrible (week and whack storyline, terrible acting, horrendously tedious and terrible directing), but "The Perfect Sleep" - if it had better and more consistent casting and directing - and the visual investments of "The Spirit" could have been a fabulous work of art. It feels like something that should be re-done by some serious experts, because I believe there would be much better ways of delivering the script.

In the end, it's hardly worth watching unless you don't have anything better to do. I hope this helped... My vote of 5 goes to the writers and the initial concept that could have been brilliantly executed, to the idea that could have been... And an incentive to Pardoe, who imagined it, to learn from this experience and do better next time.


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