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Gangs of New York (2002)

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In 1863, Amsterdam Vallon returns to the Five Points area of New York City seeking revenge against Bill the Butcher, his father's killer.

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Nominated for 10 Oscars. Another 50 wins & 124 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Reverend Raleigh (as Alec Mccowen)
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Mr. Schermerhorn
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Jimmy Spoils (as Larry Gilliard Jr.)
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Storyline

In the god-forsaken district of early-1860's Lower Manhattan known as the Five Points, the vicious Nativist, Bill "The Butcher" Cutting, is the supreme overlord of an area riddled with crime, prostitution, theft and murder, as the American Civil War still rages on. Sixteen whole years after the brutal murder of his father from Bill's blood-stained hands, an orphaned Irish-American, Amsterdam Vallon, returns to this melting pot of corruption to avenge his untimely death; however, a lot has changed since then. Who can remember the once innocent boy and now a young man bent on revenge, who works his way up to the hierarchy of Five Points? Will Amsterdam ever taste the dangerous but sweet fruit of retribution? Written by Nick Riganas

Plot Summary | Plot Synopsis

Taglines:

America Was Born In The Streets.

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for intense strong violence, sexuality/nudity and language | See all certifications »

Parents Guide:

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Details

Country:

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Language:

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Release Date:

20 December 2002 (USA)  »

Also Known As:

Pandillas de Nueva York  »

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Box Office

Budget:

$100,000,000 (estimated)

Opening Weekend USA:

$9,496,870, 22 December 2002, Wide Release

Gross USA:

$77,812,000

Cumulative Worldwide Gross:

$193,772,504, 28 October 2016
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Sarah Michelle Gellar was originally cast as Jenny. She backed out because of scheduling complications with Buffy the Vampire Slayer (1996). Martin Scorsese chose Sarah Polley for the part, but later cast Cameron Diaz after studios insisted he pick a more "bankable star". See more »

Goofs

When the mob throws rocks at the police, a heavy-looking rock bounces off an officer's head, then bounces around as it hits the ground, as if it weighs nothing at all. See more »

Quotes

Bill: The Priest and me, we lived by the same principles. It was only faith divided us. He gave me this, you know? That was the finest beating I ever took. My face was pulp. My guts was pierced, my ribs was all mashed up. And when he came to finish me, I couldn't look him in the eye. He spared me, because he wanted me to live in shame. This was a great man. A great man. So I out out the eye that looked away, I sent it to him wrapped in blue paper. I would've cut them both out if I could have fought ...
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Crazy Credits

We gratefully acknowledge all the individuals and institutions who contributed their historical knowledge to this film. See more »

Connections

References Cradle Will Rock (1999) See more »

Soundtracks

Uncle Tom's Religion
Performed by Francesco Moneri
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Frequently Asked Questions

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User Reviews

He actually did it!
12 February 2003 | by See all my reviews

You'd think Scorcese has bitten a bit more than he could possibly chew, this time. Well, he didn't. Gangs of new York is not an "epic masterpiece" and it ain't that because I seriously doubt the directors aim was that. It's a great movie in it's own account, but you have to watch it in the right way.

The plot: Tight enough and well paced, with a couple of lows (expected for a three-hour film) but generally it comes out pretty neat. Some may find it disturbing, as it contains extreme violence and it does not portray an America of happy workers, even happier slaves, benevolent rich and just authorities - instead, it portraits the true 1860 society. Definitely not for those who like their films with plenty of sugar on the top.

The epic and the drama: Well, basically the film is the story of two men. Around them things evolve and a brave new world comes forth - but we only get to watch snapshots of that world. Until the last sequence, that is when the whole city "explodes" (in some occasions literally...) and the streets are being covered in blood, and the two aspects (the main story and the events of the era) are being tied together in the same continuum.

At the same time, the director attempts to portrait the whole birth and growth of the United States, in a kind of parabole, but without loosing his focus on the main story and the surrounding. Scorsese dives deeply into the psychology of his heroes, without giving out any explanation of their acts other than the probable - he lets us figure it out ourselves, and that's a God-given gift.

The visuals: The film is disturbing, as it contains extreme violence. There are literally streams of blood, hacking, slashing, crushing - even some action movie fans (hey dude, look, he smashed his head with that thing... cool, man!") might find some parts of the film interesting. The last sequence is visually astounding, and it's by it's own account a reason to watch this film over and over again... if you got the stomach to actually cope with the disturbing images, that is.

The actors: I didn't think it would come a day when I'd say that Leo Di Caprio can act, but ...here I go: The kid can act. And quite good too. Guess he needed a Scorsese to put him in the right path. Same with Cameron Diaz - she has got some potential, seems so. Too bad she wastes it in films like "the sweetest thing" and other throw-ups like that. And... Daniel Day Lewis. Truly, with this performance, they should give him the Academy award. He portrays the vile "Butcher" in a way few would be able of, and he adds depth to a character that could very easily end up "two-dimensional". He is stunningly good.

New York, New York: Scorsese gets involved in something that compares to his previous work the way a fancy little sports car compares to a huge truck: A grandioso film of epic proportions and of great ambition. He does deliver, I believe. But this film shall not be acknowledged universally, because there is too much violence, corruption, lack of the good old white vs black (good vs evil, I mean) concept and does not sweeten the pill in any way. It's disturbing and raw, and it's a great. It's not a political film - in such, the director usually picks a stance, a "true" hero, an opposing view, and builds upon those. In this case, the director is truly endistancemented and keeps that distance, even from his "hero". There are no "good" people in that movie, all are acting like chess pieces in a predetermined way, but at the same time they try to burst out and do their own.

The verdict: A fabulous film, which is going to be recognized for such in some years


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