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A conservative judge is appointed by the President to spearhead America's escalating war against drugs, only to discover that his teenage daughter is a crack addict. Two DEA agents protect an informant. A jailed drug baron's wife attempts to carry on the family business.

Director:

Steven Soderbergh

Writers:

Simon Moore (miniseries Traffik), Stephen Gaghan (screenplay)
Reviews
Popularity
981 ( 101)

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Won 4 Oscars. Another 69 wins & 84 nominations. See more awards »

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Cast

Cast overview, first billed only:
Benicio Del Toro ... Javier Rodriguez
Jacob Vargas ... Manolo Sanchez
Andrew Chavez Andrew Chavez ... Desert Truck Driver
Michael Saucedo ... Desert Truck Driver
Tomas Milian ... General Arturo Salazar
Jose Yenque ... Salazar Soldier / The Torturer
Emilio Rivera ... Salazar Soldier #2
Michael O'Neill ... Lawyer Rodman
Michael Douglas ... Robert Wakefield
Russell G. Jones ... Clerk
Lorene Hetherington Lorene Hetherington ... State Capitol Reporter #1
Eric Collins Eric Collins ... State Capitol Reporter #2
Beau Holden ... DEA Agent - CalTrans
Peter Stader Peter Stader ... DEA Agent - CalTrans
James Lew ... DEA Agent - CalTrans
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Storyline

An intertwined drama about the United States' war on drugs, seen through the eyes of a once conservative judge, now newly-appointed drug czar, his heroin-addicted daughter, two DEA agents, a jailed drug kingpin's wife, and a Mexican cop who begins to question his boss's motives.

Plot Summary | Plot Synopsis

Taglines:

No One Gets Away Clean See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for pervasive drug content, strong language, violence and some sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Germany

Language:

English | Spanish

Release Date:

5 January 2001 (USA) See more »

Also Known As:

Traffik See more »

Filming Locations:

California, USA See more »

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Box Office

Budget:

$48,000,000 (estimated)

Opening Weekend USA:

$184,725, 27 December 2000, Limited Release

Gross USA:

$124,115,725

Cumulative Worldwide Gross:

$207,515,725
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (rough cut)

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The film cast includes four Oscar winners: Viola Davis, Michael Douglas, Benicio Del Toro, Catherine Zeta-Jones; and four Oscar nominees: Amy Irving, Don Cheadle, Salma Hayek and Albert Finney. See more »

Goofs

When Javier is talking to the tourists, he caps his pen twice. See more »

Quotes

[first lines]
Javier Rodriguez: [in Spanish] Last night I had an ugly nightmare.
Manolo Sanchez: [in Spanish] Oh yeah? What happened, man?
See more »

Crazy Credits

Master of the 4-string Electric Bassius O' Phellius - Flea See more »

Alternate Versions

Home video versions released in 2001 omit direct reference to Cincinnati Country Day school, after school officials complained about the images depicted of the student body. In the scene where Caroline is being interrogated after her arrest, the theatrical version has her answering the question "Are you in school?" with "Cincinnati Country Day." On home video, she simply answers, "yes." The camera is behind her, so her mouth isn't seen on-screen, but there is a notable pause before the next bit of dialogue. See more »

Connections

Referenced in Lost in Translation (2003) See more »

Soundtracks

Give The Po' Man A Break
Written by Fatboy Slim (as Norman Cook)
Performed by Fatboy Slim
Courtesy of Astralwerks Records
See more »

Frequently Asked Questions

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User Reviews

 
The Real Best Film of 2000
16 July 2001 | by MadReviewerSee all my reviews

A dazzlingly complex film, `Traffic' takes a hard, unflinching look at the so-called `war on drugs' that is perfectly clear and uncompromising. Director Steven Soderbergh takes the various viewpoints of the drug culture -- the users, the dealers, the police, and the politicians -- and weaves their differing stories together into a single story that is both deep in its ideas but very simple to understand. In terms of story, direction, and characters, `Traffic' is easily Soderbergh's best film to date, and one of the best films made in recent years, period.

`Traffic' takes a look at the world of drugs through the stories and lives of different characters. Some are loosely connected to one another; some are not. There is the story of Javier Rodriguez (Benicio Del Toro), a Mexican policeman struggling to keep his distance from the corruption that seems to follow him everywhere; there is the story of Ray Castro (Luis Guzman) and Montel Gordon (Don Cheadle), two DEA agents trying to turn the low-level drug dealer Eduardo Ruiz (Miguel Ferrer) against his drug cartel boss; there's the story of Helena Ayala (Catherine Zeta-Jones), the unsuspecting wife of the drug cartel boss who suddenly learns who her husband really is and what he does for a living; and then there's the new head of the DEA, Robert Wakefield (Michael Douglas), a man so wrapped up in his mission to stop the war on drug, he fails to notice that his own daughter Caroline (Erika Christensen) is becoming addicted to crack. Much like in the real world, the events of each story directly or indirectly affect the events of the others, leaving all the characters to consider their roles in the drug culture . . . and what, if anything, they can do to change those roles.

In terms of story, `Traffic' is absolutely brilliant. I'm still amazed that the film could cover so many plotlines and dozens of characters so effortlessly. Each story -- whether it's Helena assuming the role of her drug-dealing husband, or Robert canceling DEA meetings so he can deal with his drug-addicted daughter -- is powerful and brutally honest. `Traffic' isn't afraid to look at tough or uncomfortable issues. `Traffic', somewhat surprisingly, never preaches, either -- while it's safe to say that the message of the film is essentially anti-drug, it never comes out and outright says that message. A lesser film would've had some grandiose speech imbedded somewhere in the film denouncing the use of drugs -- not `Traffic'. It's wise enough to let the viewer take what messages they want from the film, without ever preaching. (A minor quibble -- did Michael Douglas' character really have to be the new drug czar of the United States? The fact that he was the top law enforcement drug official in the U.S., and that his daughter was addicted to drug . . . well, it seemed a little too far-fetched, and a little too movie-like. If Mr. Douglas had been playing ONE of the top drug officials in the federal government, instead of THE top official, I would've found his character to be infinitely more believable.)

Soderbergh's also at the top of his game with his direction of `Traffic'. The film is virtually filmed entirely with hand-held camera, giving each and every scene an up-close-and-personal feel. There's also a distinct lack of background music, which lets the viewer feel like they're eavesdropping on real-life scenes, and not just watching a movie. These techniques make for a very personal, intense experience. Soderbergh also uses a technique he's used in some of his other films (Out of Sight, Erin Brockovich) -- certain scenes are filtered a specific color, to heighten a mood or a sense of awareness of what's about to happen. The scenes in Mexico featuring the Mexican detective Javier, for example, are all filmed in a very bright, almost disorienting yellow. It's a technique that can be irritating at times, but for the most part, it serves a bold purpose that truly adds to the film.

As for the characters, and the acting . . . jeez, `Traffic' is without a doubt one of the best-cast films of all time. I mean it. There are no weak links, no poorly written characters, and no badly played characters. Each and every character adds something significant to the story in `Traffic', and each and every actor is outstanding. Kudos must go to possibly one of the best ensemble casts of all time. Three actors in particular stand out, though -- Benicio Del Toro (who won the Best Supporting Actor Oscar for his performance), Don Cheadle (who was actually slightly better than the brilliant performance of Mr. Del Toro, IMHO), and Catherine Zeta-Jones. I'm normally loathe to use the word `flawless' when describing a film, but the casting of `Traffic' was indeed flawless.

`Traffic', with its unflinching look at drug use in America today, can be uncomfortable at times to watch. It certainly can't be termed a `happy' or a `feel-good' film. That doesn't change the fact that it is an amazing, thought-provoking, powerful film -- and without a doubt the best film released in the year 2000. I can't recommend this film enough. Grade: A


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