A simple-minded gardener named Chance has spent all his life in the Washington D.C. house of an old man. When the man dies, Chance is put out on the street with no knowledge of the world except what he has learned from television. After a run in with a limousine, he ends up a guest of a woman (Eve) and her husband Ben, an influential but sickly businessman. Now called Chauncey Gardner, Chance becomes friend and confidante to Ben, and an unlikely political insider. Written by
Scott Renshaw <firstname.lastname@example.org>
Getting there is half the fun; being there is all of it!
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Did You Know?
In different versions, the end credits are either shown over retakes of Chance saying a line that was not in the movie (the message from Raphael, restored to the home video version) or shown over TV white noise. Peter Sellers
was at the film's screening at the 1980 Cannes Film Festival and was furious with director Hal Ashby
and the producers for including the outtakes version of the end credits at this performance as well as the audience's reaction to them. This incident may have finally made the producers change their minds. When the film opened soon after in Australia in late May 1980, the entire end credits were removed from all prints (leading to a deafening thud on the soundtrack after the film's final line). These prints were all replaced with versions including the "white noise" end credits, including the film's main theme by composer Johnny Mandel
. See more
When Eve enters Chance's room as he is eating breakfast in bed, the napkin beneath his chin changes position back and forth between shots. See more
Chance the Gardener
Good morning, Louise.
He's dead, Chance. The old man's dead.
Chance the Gardener
[Chance goes back to watching TV
Under the end titles of the theatrical release are outtakes of Peter Sellers as Chance recounting the encounter with Abbaz. Sellers breaks character and laughs during each attempt. The lines do not appear in the movie. Certain versions of the film have credits with white text on a black background without the outtakes. See more
Gnossiennes #4 & #5
by Erik Satie
Rearranged by Johnny Mandel See more