After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.
Ellen Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
After her last encounter, Ellen Ripley crash-lands on Fiorina 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she has brought along an unwelcome visitor.
Charles S. Dutton,
200 years after her death, Ellen Ripley is revived as a powerful human/alien hybrid clone. Along with a crew of space pirates, she must again battle the deadly aliens and stop them from reaching Earth.
A seemingly indestructible robot is sent from 2029 to 1984 to assassinate a young waitress, whose unborn son will lead humanity in a war against sentient machines, while a human soldier from the same war is sent to protect her at all costs.
Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a Wookiee and two droids to save the galaxy from the Empire's world-destroying battle station, while also attempting to rescue Princess Leia from the mysterious Darth Vader.
In the distant future, the crew of the commercial spaceship Nostromo are on their way home when they pick up a distress call from a distant moon. The crew are under obligation to investigate and the spaceship descends on the moon afterwards. After a rough landing, three crew members leave the spaceship to explore the area on the moon. At the same time as they discover a hive colony of some unknown creature, the ship's computer deciphers the message to be a warning, not a distress call. When one of the eggs is disturbed, the crew realizes that they are not alone on the spaceship and they must deal with the consequences.Written by
Lambert's off-screen death, according to the novel, was supposed to be the Alien forcing her body into a vent too small for it. See more »
(at around 1h 35 mins) A crewman with a black panel of some kind is visible through the smoke as Ripley runs through the corridors at the end of the film. See more »
This is the worst shit I've ever seen, man.
What you say? You got any biscuits over there?
Here's some cornbread.
I am cold.
Still with us, Brett?
Oh, I feel dead.
Anybody ever tell you you look dead, man?
See more »
The title of the movie is slowly created one line at a time at the top of the screen during the opening credits, starting out with the I, then the forward slash in A and the slash in N, and then the vertical lines in L and E (so it looks like / I I I \). After that, the ensuing lines of each letter are added slowly one at a time until the title is fully visible. See more »
Other changes in the Director's Cut: As in the Theatrical Version, Brett stops in the the landing strut chamber to wet his face during the sequence where he is searching for Jones the cat. In the Directors Cut, we see a shot looking up at the landing strut with the Alien rather unexpectedly in the foreground, head bowed, swaying from side to side. Another change concerning Jones the cat: when Ripley encounters the Alien in the corridor having just set the self-destruct sequence, instead of the Alien looking curiously at Jones in his cat box, it gives him a brief glance before violently swatting the box aside. (This explains why in both versions of the film the cat box is flipped on its side and not where Ripley left it when she returns to collect Jones.) See more »
This is one of the finest science fiction films ever made. Everything is so carefully and expertly constructed to the point that repeated viewings are just as good as the first. Also, the atmosphere, along with the amazing sets, is real shocker and few movies have managed to create the same kind eerie feeling.
The story starts with the crew of the cargo vessel "Nostromo" waking up before schedule. They soon realize their on-board computer has detected life on a nearby planet and they go to investigate. One of them unwillingly brings back an...ALIEN (!) which soon becomes a very unwanted passenger. The introduction of the title creature in the famous chest-burster scene is a real jolter. Especially if you watch it after dinner.
The music, too, must be mentioned and it moves the story along with unrelenting terror. However, the lack of music, in certain scenes, works just as well and this combination makes for one of the best musical montages to be put on film.
This is a classic film that spawned a series, which is good overall, and a bunch of copycats, many of which are just sad. "Alien" came first and it is easily one the best. 10/10
Rated R: violence/gore and profanity
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