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Casablanca (1942)

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A cynical American expatriate struggles to decide whether or not he should help his former lover and her fugitive husband escape French Morocco.

Director:

Michael Curtiz

Writers:

Julius J. Epstein (screenplay), Philip G. Epstein (screenplay) | 3 more credits »
Popularity
610 ( 83)
Top Rated Movies #36 | Won 3 Oscars. Another 5 wins & 9 nominations. See more awards »

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Cast

Complete credited cast:
Humphrey Bogart ... Rick Blaine
Ingrid Bergman ... Ilsa Lund
Paul Henreid ... Victor Laszlo
Claude Rains ... Captain Louis Renault
Conrad Veidt ... Major Heinrich Strasser
Sydney Greenstreet ... Signor Ferrari
Peter Lorre ... Ugarte
S.Z. Sakall ... Carl (as S.K. Sakall)
Madeleine Lebeau ... Yvonne (as Madeleine LeBeau)
Dooley Wilson ... Sam
Joy Page ... Annina Brandel
John Qualen ... Berger
Leonid Kinskey ... Sascha
Curt Bois ... Pickpocket
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Storyline

The story of Rick Blaine, a cynical world-weary ex-patriate who runs a nightclub in Casablanca, Morocco during the early stages of WWII. Despite the pressure he constantly receives from the local authorities, Rick's cafe has become a kind of haven for refugees seeking to obtain illicit letters that will help them escape to America. But when Ilsa, a former lover of Rick's, and her husband, show up to his cafe one day, Rick faces a tough challenge which will bring up unforeseen complications, heartbreak and ultimately an excruciating decision to make. Written by Kyle Perez

Plot Summary | Plot Synopsis

Taglines:

Where Love Cuts as Deep as a Dagger! See more »

Genres:

Drama | Romance | War

Motion Picture Rating (MPAA)

Rated PG for mild violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA

Language:

English | French | German | Italian

Release Date:

23 January 1943 (USA) See more »

Also Known As:

Everybody Comes to Rick's See more »

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Box Office

Budget:

$950,000 (estimated)

Opening Weekend USA:

$181,494, 12 April 1992, Limited Release

Gross USA:

$1,024,560, 16 November 2017

Cumulative Worldwide Gross:

$14,952,620, 31 December 1943
See more on IMDbPro »

Company Credits

Production Co:

Warner Bros. See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (cut)

Sound Mix:

Mono (RCA Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Ingrid Bergman's character's name, Ilse, was suggested by director Michael Curtiz; he got it from a poem by Heinrich Heine. See more »

Goofs

When Rick is asked by Renault whether or not Rick has the letters of transit, Rick is drinking from an almost full bottle that Carl moments before has put on the table. A few moments later, when Rick pours Renault a drink, the bottle is less than half full. After Yvonne passes by the table, the bottle is suddenly more than half full. See more »

Quotes

[first lines]
Narrator: With the coming of the Second World War, many eyes in imprisoned Europe turned hopefully, or desperately, toward the freedom of the Americas. Lisbon became the great embarkation point. But, not everybody could get to Lisbon directly, and so a tortuous, roundabout refugee trail sprang up - Paris to Marseilles... across the Mediterranean to Oran... then by train, or auto, or foot across the rim of Africa, to Casablanca in French Morocco. Here, the fortunate ones through money, or ...
[...]
See more »

Alternate Versions

In the Italian version, the sequence where the Italian Officer Tonnelli meets Strasser is cut. See more »

Connections

Referenced in Garbage Pail Kids: Kinky Kong/Chris Messin' August (1988) See more »

Soundtracks

If I Could Be with You
(1926) (uncredited)
Music by James P. Johnson
Played when the man gets his pocket picked and the Germans enter Rick's
See more »

Frequently Asked Questions

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User Reviews

Of all the gin joints, in all the world...
18 November 2005 | by mryersonSee all my reviews

Sunday, November the 20th is the anniversary of Marcel Dalio's death in 1983. It was the end of a serendipitous life. You know him. He was a citizen of the world. Born Israel Moshe Blauschild, in Paris, in 1900, he became a much sought-after character actor. His lovely animated face with its great expressive eyes became familiar across Europe. He appeared in Jean Renoir's idiosyncratic Rules of the Game, and Grand Illusion, arguably the greatest of all films. True to his Frenchman's heart, he married the very young, breathtaking beauty Madeleine LeBeau. He worked with von Stroheim and Pierre Chenal. He had it all.

But then the Germans crushed Poland, swept across Belgium and pressed on toward Paris. He waited until the last possible moment and finally, with the sound of artillery clearly audible, with Madeleine, fled in a borrowed car to Orleans and then, in a freight train, to Bordeaux and finally to Portugal. In Lisbon, they bribed a crooked immigration official and were surreptitiously given two visas for Chile. But on arriving in Mexico City, it was discovered the visas were rank forgeries. Facing deportation, Marcel and Madeleine found themselves making application for political asylum with virtually every country in the western hemisphere. Weeks passed until Canada finally issued them temporary visas and they left for Montreal.

Meanwhile, France had fallen and, in the process of subjugating the country, the Germans had found some publicity stills of Dalio. A series of posters were produced and were then displayed throughout the city with the caption 'a typical Jew' so that citizens could more easily report anyone suspected of unrepentant Jewishness. The madness continued. 'Entree des artistes', a popular film, was ordered re-edited so that Dalio's scenes could be deleted and re-shot with another, non-Jewish, actor.

After a short time, friends in the film industry arranged for them to arrive in Hollywood. Nearly broke, Marcel was immediately put to work in a string of largely forgettable films. Madeleine, a budding actress in her own right, was ironically cast in 'Hold Back the Dawn', a vehicle for Charles Boyer with a plot driven by the efforts of an émigré (Boyer) trying desperately to cross into the United States from Mexico. But the real irony was waiting at Warner Brothers.

In early 1942, Jack Warner was driving production of a film based on a one act play, 'Everybody Comes to Rick's' but had no screenplay. What he had was a mishmash of treatments loosely based on the play and two previous movies. But he had a projected release date and a commitment to his distributors to have a movie for that time slot and little else. Warner Brothers started to wing it.

Shooting started without a screenplay and little plot. Principal players were cast and a director hired but casting calls for supporting roles and bit players continued and sometime in the early spring Marcel Dalio and Madeleine LeBeau were cast as, respectively, a croupier and a romantic entanglement for the male lead. Veteran screen-writers were hired to produce a running screenplay, sometimes delivering pages of dialogue one day, for scenes to be shot the following day. No one knew exactly where the plot would go or how the story would turn out. No one was sure of the ending. And, of course, they produced a classic, perhaps the finest American movie.

They produced a screenplay of multiple genres, rich with characterizations, perfectly in tune with the unfolding events in Europe and loaded with talent from top to bottom. Oh, and they changed the title to 'Casablanca'.

It is so well known, that many lines of long-memorized dialogue have passed into the slang idiom. 'We'll always have Paris', 'I was misinformed', 'Here's looking at you, kid', ' I am shocked! Shocked! To find that there's gambling going on in here!', 'Louis, I think this is the beginning of a beautiful friendship', 'Oh he's just like any other man, only more so', 'I don't mind a parasite. I object to a cut-rate one', 'Round up the usual suspects', and, of course, the oft quoted, apocryphal, 'Play it again, Sam'.

Madeleine LeBeau plays Yvonne, the jilted lover of Humphrey Bogart, who is seen drowning her sorrows at the bar early in the film and who later, to get back at Rick and looking for solace takes up with a German officer finding only self-hatred. She is luminous.

And when Claude Rains delivers the signature line, 'I'm shocked! Shocked! To find that there's gambling going on in here!' the croupier, Emil, played by Marcel Dalio, approaches from the roulette table and says simply, 'Your winnings, sir.' It is a delicious moment ripe with scripted irony, one among many in this film, but one made all the more so, knowing where Dalio came from and what he and his wife had endured to arrive at that line.

I have often wondered exactly when they saw the final script or if they only realised the many parallels to their own lives when the film was released.

Alas, they separated and divorced the next year, both going on to long successful careers. Dalio never remarried.

Late in his career, when Mike Nichols was looking for a vaguely familiar face to deliver a long and worldly, near-monologue in Catch-22, he turned to Dalio. Faced with a hopelessly idealistic young American pilot, Dalio, as simply 'old man in whore house', in tight close-up, delivers a discourse on practical people faced with impractical circumstances, of the virtues of expedience in the face of amorality . Using his wonderful plastic features, now beginning to sag, in a voice full of melancholy, the old man reassures the young man that regardless of what 'grand themes' may be afoot in the world, in the end, little matters but survival.


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